I am an artist, writer, and art critic, but I do not experience these as separate roles. Painting, traditional techniques, text, interviews, and critical reflection all belong to the same personal path of inquiry.
I call this practice Thinkism: a way of working across image and language in order to fragment complexity, resist false conclusions, and pursue awareness without the illusion of final truth.
My work is not made to provide answers or reassurance. It begins from a private necessity: to justify life to myself, to remain inside its contradictions, and to confront the questions that most people prefer to leave untouched. I do not expect answers to my existence. What I seek is awareness, as far as human reason can carry it, without denying what remains unresolved.
I am not looking for conclusions or for a final formula of the universe. What matters to me is not to exclude what I cannot understand, or what we may never fully understand as human beings. Instead, I stay with those limits, breaking questions apart and following their fragments through image and language.
I have never felt fully at ease within fixed curatorial or aesthetic canons. They often seem narrower than the complexity I am trying to face. At the same time, I resist defining myself through niche categories or neatly recognisable themes simply to make the work easier to classify. I need the whole in order to speak truthfully about the specific.
My interviews with artists and my critical texts are part of the same process of investigation: a way of entering other points of view, not to reach absolute truth, but to deepen awareness through complexity, tension, and uncertainty
My work does not seek to conclude. It seeks to remain present before what resists conclusion.
On my BLOG, I publish essays, interviews, and thematic hubs that map contemporary art as a field of conflicts and responsibilities. The blog focuses on feminist critique and visibility, studio-process interviews, eco-art and climate urgency, LGBTQ+ and Gender, AI and authorship, conceptual strategies, art scandals as symptoms of institutional power, and the movements and languages that shape the present.
Alongside my independent work, I publish on Artribune.